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Mike Winkelmann and the Pets of Capital
Robot dogs with human heads. It could have been just another exercise in artistic anthropomorphization, were it not for the faces perched atop those canine bodies: figures admired by some, despised by many. Text by Felipe Rodríguez-Mattern NUVOLA 2026 Fotografía: Liliana Mora Musk, Warhol, Zuckerberg, Bezos… Picasso. Animatronic effigies standing in for the people they evoke. This grotesque fusion—born of desire, fame, greed, narcissism, and a hunger for power—culminates in a
CAVALLINA RAMPANTE // Viviana Dávila
Fotografía, Modelado y Composiciones por Felipe Rodríguez-Mattern © Modelo: Viviana Dávila Producción/Styling: Alejandra Muñoz Modelado 3D /CGI por Amir Glinik ©
Mike Winkelmann and the Pets of Capital
Robot dogs with human heads. It could have been just another exercise in artistic anthropomorphization, were it not for the faces perched atop those canine bodies: figures admired by some, despised by many. Text by Felipe Rodríguez-Mattern NUVOLA 2026 Fotografía: Liliana Mora Musk, Warhol, Zuckerberg, Bezos… Picasso. Animatronic effigies standing in for the people they evoke. This grotesque fusion—born of desire, fame, greed, narcissism, and a hunger for power—culminates in a
CAVALLINA RAMPANTE // Viviana Dávila
Fotografía, Modelado y Composiciones por Felipe Rodríguez-Mattern © Modelo: Viviana Dávila Producción/Styling: Alejandra Muñoz Modelado 3D /CGI por Amir Glinik ©
THE SUN SETS // melting over Anna's skin
Photos by Felipe Rodríguez - Mattern © 2025 Modelo: Anna Khazanova Photoshoot, Brighton Beach, NY.
Retratos de BACKSTAGE // 2005-2011
For years, I had the privilege of working as a photographer for some of the country’s most influential and prestigious publications....
Marietta Varga // Raw Hill
In her series Raw Hill, Marietta Varga reinterprets the imposing aesthetic of Brutalism, transforming its apparent harshness into an expression of refined beauty. Through meticulously orchestrated compositions, the photographer highlights the sculptural character of these structures, capturing their essence with a sensitivity that transcends the purely architectural. Through carefully staged scenes, Varga reveals an unexpected dialogue between the solidity of concrete and the
Pol Kurucz // Glam Jail
'Aesthetic Irreverence as Visual Manifesto' In the realm of contemporary photography—where the canon of beauty has been refined to the point of sterility—Pol Kurucz emerges as a lucid provocateur, an architect of the absurd who masterfully subverts the codes of fashion and visual identity. His work, exuberant and unrestrained, unfolds as an act of calculated transgression: a spectacle of excess in which color, theatricality, and corrosive humor converge in a symphony that cha
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